Passepartout
conoce a Phileas Fogg y siente que ha encontrado una persona tranquila donde
dejará de viajar como un gitano. Del clásico Around the World in Eighty Days,
de Jules Verne
During his brief
interview with Mr. Fogg, Passepartout had been carefully observing him. He
appeared to be a man about forty years of age, with fine, handsome features,
and a tall, well-shaped figure; his hair and mustache were light, his forehead compact and unwrinkled, his face
rather pale, his teeth magnificent. His countenance possessed in the highest
degree what physiognomists call "repose in action," a quality of
those who act rather than talk. Calm and phlegmatic, with a clear eye, Mr. Fogg
seemed a perfect type of that English composure which Angelica Kauffmann has so skilfully represented on canvas. Seen in
the various phases of his daily life, he gave the idea of being perfectly
well-balanced, as exactly regulated as a Leroy
chronometer. Phileas Fogg was, indeed, exactitude personified, and this was
betrayed even in the expression of his very hands and feet; for in men, as well
as in animals, the limbs themselves are expressive of the passions.