The Proposal

It wanted some five minutes to eleven when Tuppence reached the block of buildings in which the offices of the Esthonia Glassware Co. were situated. To arrive before the time would look over-eager. So Tuppence decided to walk to the end of the street and back again. She did so. On the stroke of eleven she plunged into the recesses of the building. The Esthonia Glassware Co. was on the top floor. There was a lift, but Tuppence chose to walk up.

Slightly out of breath, she came to a halt outside the ground glass door with the legend painted across it "Esthonia Glassware Co."

Tuppence knocked. In response to a voice from within, she turned the handle and walked into a small rather dirty outer office.

A middle-aged clerk got down from a high stool at a desk near the window and came towards her inquiringly.

"I have an appointment with Mr. Whittington," said Tuppence.

"Will you come this way, please." He crossed to a partition door with "Private" on it, knocked, then opened the door and stood aside to let her pass in.

Mr. Whittington was seated behind a large desk covered with papers. Tuppence felt her previous judgment confirmed. There was something wrong about Mr. Whittington. The combination of his lustrous prosperity and his suspicious eye was not attractive.

He looked up and nodded.

"So you've turned up all right? That's good. Sit down, will you?"

1st Known Illustration of Tommy and Tuppence, 1923

Tuppence sat down on the chair facing him. She looked particularly small and modest this morning. She sat there timidly with downcast eyes whilst Mr. Whittington sorted and rustled amongst his papers. Finally he pushed them away, and leaned over the desk.

"Now, my dear young lady, let us come to business." His large face broadened into a smile. "You want work? Well, I have work to offer you. What should you say now to L100 down, and all expenses paid?" Mr. Whittington leaned back in his chair, and thrust his thumbs into the arm-holes of his waistcoat.

Tuppence eyed him suspiciously.

"And the nature of the work?" she demanded.

"Nominal—purely nominal. A pleasant trip, that is all."

"Where to?"

Mr. Whittington smiled again.

"Paris."

"Oh!" said Tuppence thoughtfully. To herself she said: "Of course, if father heard that he would have an attack! But somehow I don't see Mr. Whittington in the role of the gay deceiver."

"Yes," continued Whittington. "What could be more delightful? To put the clock back a few years—a very few, I am sure—and re-enter one of those charming pensionnats de jeunes filles with which Paris abounds——"

Tuppence interrupted him.

"A pensionnat?"

"Exactly. Madame Colombier's in the Avenue de Neuilly."

Tuppence knew the name well. Nothing could have been more select. She had had several American friends there. She was more than ever puzzled.

"You want me to go to Madame Colombier's? For how long?"

"That depends. Possibly three months."

"And that is all? There are no other conditions?"

"None whatever. You would, of course, go in the character of my ward, and you would hold no communication with your friends. I should have to request absolute secrecy for the time being. By the way, you are English, are you not?"

"Yes."

"Yet you speak with a slight American accent?"

"My great pal in hospital was a little American girl. I dare say I picked it up from her. I can soon get out of it again."…

Vocabulary

Rustle: To move or act energetically

Ward: The state of being under guard